PETERSON REVIEWS
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‘The Stroll’ is a Stirring, Deeply Personal Documentary
Homing in on a segment of the Meatpacking District that once was the stomping grounds of trans sex workers, the 2023 documentary powerfully builds on the experiences of subject and co-director Kristen Lovell.
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Self-Discoveries
André Téchiné’s ‘Wild Reeds’ is a beautifully shot, emotionally intelligent coming-of-age movie.
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Acting Out
‘Forastera’ and ‘Scary Movie,’ reviewed.
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Glamour Girls
On ‘The Queen,’ Frank Simon’s flawed but essential 1968 documentary.
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‘Backrooms’ Does More Than It Needs to
Kane Parsons’ adaptation of his popular web series is best when it leans into its mysteriousness.
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The Sledgehammer-Force Provocations of ‘Bamboozled’
Spike Lee’s 2000 TV satire has a reputation as a failure. It doesn’t deserve it.
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‘Breaking News’: Great Action Filmmaking with Pointed Critiques
Johnnie To’s 2004 thriller hosts both exemplary action sequences and sharp indictments of the police and media.
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‘Quiz Show’ Thoughtfully — and a Little Misleadingly — Revisits an Industry-Changing Scandal
Robert Redford’s fact-based drama looks at vintage game-show deception with some truth-smudging of its own.
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‘I Love Boosters’ is Thematically Resonant, Narratively Muddled Fun
Rapper-turned-filmmaker Boots Riley’s long-awaited feature-length follow-up to 2018’s ‘Sorry to Bother You’ is amiable but a little all over the place.
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Telehealth Wants You to Dance Through the Chaos
For South Sound: Recently signed to storied Seattle label Sub Pop Records, Telehealth released its sophomore album, ‘Green World Image,’ on May 15.
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SIFF Diary: 2026
What I saw at this year’s edition of the Seattle International Film Festival.
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Demi Lovato Knows How to Command a Room
For 425: The 33-year-old pop star sounded better than ever at her Climate Pledge Arena show this week.
JUNE 2026
The Theme is ‘Pride’
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‘Punks’ is a Lovable Ensemble Dramedy
Writer-director Patrik-Ian Polk’s to-follow TV show — the two-season-long ‘Noah’s Arc,’ which premiered on Logo in 2005 — only expanded on ‘Punks’’ group-of-gay-people-figuring-life-out conceit.
May 25, 2026
May 13. 2026
March 27, 2026
Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026
Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026
Peterson Reviews 