PETERSON REVIEWS
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The Paranoid Corporate Games of ‘Black Test Car’
The pitilessness of Yasuzo Masumura’s black comedy continues to ring true more than six decades after its release.
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Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
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Could the Kitsap and Olympic Peninsulas Become Filmmaking Hotspots?
For South Sound: Patrick Sheehan, founder of the new Peninsula Film Commission, thinks so.
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In ‘Jane,’ An Actress Stumbles Toward Greatness
On D.A. Pennebaker’s 1962 portrait of a young Jane Fonda.
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‘Project Hail Mary’ Aims to Please
For South Sound: Phil Lord and Chris Miller’s space-set adventure wants to be an old-fashioned crowd-pleaser — sometimes to its detriment.
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Catherine O’Hara Was at the Top of Her Game in ‘For Your Consideration’
Christopher Guest’s 2006 comedy is far less laugh-heavy than his previous movies, but the performances — particularly the late O’Hara’s — more than make up for it.
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‘The Girls’’ Feminist Frustrations
Notes on Mai Zetterling’s 1968 dark comedy.
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‘Undertone’: Horror for the Filmed-Podcast Era
Plus: ‘Young Mothers’ is a typically unvarnished, compassionate movie from Jean-Pierre and Luc Dardenne. (For 425)
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Vincent Price Makes ‘Theatre of Blood’ Seem Better Than It Is
The horror icon’s performance makes you go a lot easier on a movie that’s much less sharp and suspenseful than it ought to be.
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Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
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‘A Poet’ is No Redemption Story
Simón Mesa Soto’s tragicomedy, about a failed poet who finds something to live for in a talented young student, seems poised to be conventionally uplifting before taking some knottier turns.
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The Calculated Cruelty of ‘Salaam Cinema’
Mohsen Makhmalbaf’s not-quite-documentary is revelatory — and gets its hands a little dirty in the process.
APRIL 2026
The Theme is ‘High Anxiety’
ASDFJHGSD
‘Notting Hill’: A Star-Crossed Romance
Julia Roberts and Hugh Grant do wonders to soften — but not completely distract from — the contrivances of Roger Michell’s romantic comedy.
March 27, 2026
February 4, 2026
November 6, 2025
Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026
Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026
Peterson Reviews 